Despite the intense tone of the film and its opening scene, the young Sønsteby is rarely flustered. He is a single-minded, ...

The framing device for “The Number 24” is obvious but no less effective: Through Sønsteby’s lecture we jump back and forth ...

For this month’s Female Filmmakers in Focus column, RogerEbert.com spoke to Delpero over Zoom about finding the texture of ...

An ode to Robert Zemeckis' latest masterwork, written off mere months after its release earlier this year.

Who knows, there may be actual snake oil in that big supply cabinet Johnson shows us, and he laughs when he says that the ...