The creative scope of French pianist Sophie Agnel is demonstrated across two remarkable albums, writes Stewart Smith in The Wire 501 ...
Post-industrial metal bashing agit-propers now focused around the founding duo of Paul Jamrozy and Gray Cunnington playing remixes of early material and a preview of new material. Watch out for a ...
A new Foley based production at London's Royal Court Theatre invites us into the sound-making world of animals, writes Giles ...
Felix Kubin compiles an annotated playlist of tracks from the nonconformist German label ZickZack, in honour of its founder ...
In The Wire 501, Robin James argues that the influential cultural theory of hauntology does not account for developments in Black creative practices and music of the late 20th and early 21st centuries ...
Listen to the music we played to Lord Spikeheart during his Invisible Jukebox interview in The Wire 501 Each month in the magazine we play an artist or group a series of tracks which they are asked to ...
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Fundraising evening for the community arts stations Resonance FM and Resonance Extra with films, music and performance by Neil Luck and others. London Avalon Cafe, 19 October, 6:30pm–9:30pm, £15.
Subscribers: read this issue online. Subscribe to the magazine. Buy issue 494. Inside our brand new issue: Raven Chacon: The Diné/Navajo composer foregrounds unheard and silenced voices in his radical ...
The iconic 1978 reggae film Rockers was directed by the New York based Greek screenwriter and producer Theodoros Bafaloukos and shot in Kingston, Jamaica, between 1975–78. Starring many of the scene's ...
When I first met Milford Graves for a private tutorial he asked me to play something for him and almost immediately stopped me. “Why are you playing a ride pattern on the ride, man? Play something ...
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