Animo Sliders bring 16 Maya-derived keyframe controls into Blender for faster pose, timing and curve adjustments.

SuperSplat 3 rebuilds its Gaussian-splat editor on WebGPU, shrinking browser memory use and moving sorting, selection and more onto the GPU.

PROPAGATE applies one node’s changes across a selection, including animation and connections.

The Redshift update brings Houdini 22 support, broader USD workflows, leaner render preparation and a substantial production cleanup.

SwitchX 2.0 brings 2160p finishing, 10-bit MOV output, longer shots and source-following camera motion to Beeble's cloud VFX ...

CAD retopology in Hardcraft uses surviving CAD structure to build cleaner, controllable Blender meshes without worshipping ...

Flair renderer advances into Unreal Engine and Maya 2027, with Sequencer support and ongoing stability improvements.

Unreal Engine 5.8 brings production-ready rendering, virtual production and simulation tools, alongside experimental systems for digital crowds, terrain and character animation. Unreal Engine 5.8 is ...

Avid and FilmLight want Baselight colour closer to the Media Composer timeline, with fewer handoffs from dailies through finishing.

Tape is back. Apparently it just needed AI, an energy crisis and a few hundred petabytes to become fashionable again. Quantum CEO Hugues Meyrath explains why.

Acid Pro 2026 brings more loops, editable MIDI song projects, DLS patches and fresh licensing for quick music beds and beat assembly. Acid Pro 2026 is now available! The release focuses on source ...

For those who don’t know the tool: KIRI Engine is a cross-platform 3D scanning platform for iOS, Android and the web, combining photogrammetry, LiDAR-based capture and now, 3D Gaussian Splatting in ...