its big Claude Monet "Waterlily" painting to upcoming exhibitions in Kansas City and St. Louis, it had to figure out how to fill up a large, blank wall in its Impressionist paintings gallery. No ...
Museumgoers have, in recent years, grown accustomed to art being contextualized. Curators now like to pair painters to show how they feed off each other's ideas. New Yorkers have seen Picasso ...
Camille Pissarro’s 1886 Prairie a Eragny was bought by AGSA three years ago for $4.6 million and now France wants it back for a major exhibition at the famous Musee du Luxembourg in March next year.
THE term "Impressionism" evokes the dreamy lilypads of Monet, the radiant fruit painted by Cezanne. Perhaps a Degas ballerina twirls in the mind's eye. But what about Camille Pissarro? A Danish-French ...
"Pissarro's People," which opens today at the Legion of Honor, extends the recent string of turn-of-the-20th-century French painting shows that has kept the Fine Arts Museums of San Francisco's ticket ...
Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter. The dealer Paul Durand-Ruel made fortunes from and for Monet and Renoir while keeping their fellow ...
One of the most independent of the impressionists, Pissarro is a figure rich in paradox. Born in the West Indies to Jewish parents of Danish citizenship, he came from a peripatetic merchant family yet ...
New York — PAUL CEZANNE was clearly intrigued by his friend Camille Pissarro’s painting “Louveciennes.” He needed more time with it. So one day he borrowed it from Pissarro, took it home and began to ...
He was calm and clear-eyed, with a rabbinical beard and a humble smile. Cézanne called him a “master” and “a father for me”; Renoir said he was a “revolutionary”. He was the only artist to exhibit at ...
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